I chose to do a rippling water in the panels, with white thread at the top and about 1/3 of the way down, I changed to light chambray in an unconspicuious spot. The starkness of the white would have been a little too much. It is still a lot of contrast, but the water area draws your eyes to it immediately and then you notice the rest.
I chose molar feathers for the sashing, taking care to start and end carefully.
I was thinking that the business of the fabric would hide most quilting and Dan actually suggested the beadboard for the outer border.
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